Author: leonaldridge2015

“Everything I learned, I learned from the movies.” — Audrey Hepburn

“What do you think someone’s tastes in movies says about their personality,” I asked a totally unsuspecting friend. We were swapping 60s movie trivia via text following said friend’s message letting me know that Beach Blanket Bingo, the 1965 beach party surfing genre movie, was on television—in case I wanted to watch it one more time.

The question was not random on my part having spent hours perusing my older columns and discovering one about popular movies of the time—the late 1980s. In the 30-year-old piece, I humorously scoffed at what I thought then, to be a lack of creativity and talent in movies. My first thought today was that some things never change. My second thought was the question I posed to my friend. There’s no wrong answer, varying tastes allow for choice, and that’s a good thing.

The movies that resonate with my tastes—the ones I really like a lot—I’ll watch them many times over. Like a good song, a book, or any work of art, the nuances that make movies memorable ensure that it will be just as good every time it’s watched.

Perhaps the most lasting impact great movies leave behind are the quotes. Ever noticed how movie quotes are employed for conversational spice long after we’ve forgotten the sizzle of the plot?

Whether it’s plots, acting, cinematography, quotes or just basic “feel good” appeal, here’s my top five favs, the one’s that are my “must watch every year or two” movie masterpieces.

Casablanca (1942) — My number one favorite. Nothing else compares. I’m convinced the effective use of black and white requires more artistic skill than does a color palate. Starring Humphrey Bogart and Ingrid Bergman, set in World War II and released during the war, this one has more “quotable quotes” than any I know. So, “Play it once, Sam. For old times’ sake.” I will continue to play this one many times.

Gone with the Wind (1939) — Set in the South during Civil War and Reconstruction days, a young spoiled daughter of a well-to-do plantation owner struggles with life and love (Scarlet O’Hara played by Vivien Leigh). Based on the 1936 Pulitzer Prize winning novel by Margaret Mitchell, it won 10 Academy Awards from 12 nominations. A 2014 Harris reader’s poll named , the novel the second most read book—just behind the Bible. To quote Scarlet, “After all, tomorrow is another day!” And, after all, I’ll watch this one again tomorrow and another day.

The Last Picture Show (1971) — Adapted from Larry McMurty’s semi-autobiographical 1966 novel and set in a small town in north Texas (filmed primarily in Archer City) during the early 1950s, the story is about one of the town’s young citizens and his friends. Another great black-and-white film nominated for eight Academy Awards and winner of two, it was deemed “culturally, historically, or aesthetically significant” in 1998 by the United States Library of Congress and selected for preservation in the National Film Registry. “Bein’ crazy about a woman like that is always the right thing to do,” according to Sam the Lion (Ben Johnson). For me, bein’ crazy about a movie like this one is the right thing to do.

American Graffiti (1973)— A coming-of-age comedy-drama starring a host of young actors who became the best of their Hollywood generation. Set in Southern California in 1962, it’s a classic study of the cruising and rock-and-roll culture of the “baby boomer” generation. George Lucas’ first hit film, rejected by several studios before being accepted by Universal Pictures, was nominated for Best Picture, and became one of the most profitable films of all time. In 1995, the United States Library of Congress deemed the film “culturally, historically, or aesthetically significant” selecting it for preservation in the National Film Registry. “You can’t stay 17 forever,” to quote John Milner (Paul La Mat). I will, if I can watch this movie every year.

Good Morning Vietnam (1987) — A military comedy-drama set in Saigon in 1965 during the Vietnam War. One of Robin Williams’ best performances as a radio DJ on Armed Forces Radio who was popular with the troops, but infuriated military brass with what they called his “irreverent tendency.” Williams later confessed that his radio broadcasts in the film were, for the most part, improvised and off script. Williams won a Golden Globe Award and was nominated for an Academy Award for Best Actor. The film is on the list of the “American Film Institute’s 100 Funniest American Movies.” “Seeing as how the VP is such a VIP, shouldn’t we keep the PC on the QT? ‘Cause if it leaks to the VC he could end up MIA, and then we’d all be put on KP.” — Adrian Cronauer (Robin Williams). I can’t even say that one time without stumbling, but I could easily watch this movie endless times.

So, what does our taste in movies really say about us? Ezra Werb and Risa Williams assert in their book, Cinescopes: What Your Favorite Movies Reveal About You, that your ten favorite movies “show a lot about your personality.” They believe there’s a psychological link between our personalities and the movies that appeal to us, and we connect with the heroes and themes in the movies we’re drawn too.

Works for me. Guess I could ask my friend who started me down this picture show path, but I’m still waiting on a response. I guess Beach Blanket Bingo isn’t over yet.

“Common sense is not so common. – Voltaire

What is there about graying hair that causes the days of our youth to beckon, makes us say things like, “Reminds me of that time when … ?”

An ad offering an early 70s Datsun 240Z for sale last week reminded me of one that I owned just like it. It also reminded me of that time when late one night some years ago in the vast expanse of West Texas, “back before I had good sense,” that I thought I was driving the fastest thing on the road.

College was already in my rear view mirror, but not my love for fast cars. I wasn’t looking for a “Z-Car,” as they were called. But, the two-seater sports car that looked as good as it ran caught my eye sitting on a used car lot in Longview, Texas. My ’70 Volkswagen convertible was neither fast nor especially sporty looking, although it was more fun to drive than the law should allow. The Datsun appealed to me, was in my price range, and had air conditioning—something neither my VW, nor my motorcycle could boast. An hour after the test drive, it was mine.

My first road trip was out west to Abilene, Texas. As editor of a newspaper in central Louisiana, I made sure Friday’s paper was on the press by 10:00 p.m. on a Thursday night, then headed west out of the Pelican State. Crossing Toledo Bend Reservoir at Pendleton Bridge, I turned north traveling up through Center, Texas, and then westward, arriving in Fort Worth at about 1:00 a.m. After refueling both the 240-Z and my coffee cup, I pointed the long sleek nose of the Japanese sports car due west into a region of the Lone Star State one can only appreciate after having driven it. There is very little between Fort Worth and Abilene unless you pull off the interstate in places like Weatherford, Mineral Wells or Thurber. About the only change in elevation is Ranger Hill, a considerable grade challenging truck drivers in the middle of nowhere, other than being located close to Ranger, Texas. I sometimes believe that if it were not for Ranger Hill, on a clear night leaving Fort Worth you could almost see the lights of Abilene 149.7 miles due west.

The night air was euphoric, the sky was clear, and the Z-Car’s overhead cam multi-carburetor six-cylinder motor was orchestrating sweet music through its split manifold dual exhaust system. With very little traffic cluttering the desolate span of 1-20, I let the car stretch her legs up into the 85-90 region in hopes of an earlier arrival in Taylor County, Texas.

Had my mind not been sidetracked by the late hour and listening to the radio, I might have noticed the headlights behind me sooner. Sensing they were getting closer the second time I looked quickly got my attention. Headlights growing brighter behind you when you’re rolling at 90 or better will do that.

Fearing the worst, I eased off and watched the speedometer needle start a gradual descent, just in case the driver behind the headlights was uniformed. A lack of flashing lights eased my fears, but increasing size and brightness kept my attention glued to the rear view mirror. Then I saw it. Rubbing my eyes in disbelief, I looked again. Above the increasingly larger headlights, I saw no red and blue, but what I did see was a row of bright amber. Running lights, they were. I was being overtaken by a large truck.

Game on, I smiled, and mashed the accelerator smoothly until it stopped against the floor. The healthy Datsun motor responded in a heartbeat catapulting the speedometer needle back up and through the century mark. The looming luminance continued to narrow the distance between it and the Z’s tail lights through 110, then 120 and knocking on 130. We were still gaining speed when the headlights pulled over into the left lane to pass.

The car’s speedometer teased me with its 160 at the end of the arch, but a rare modicum of youthful common sense kicked in about then, and I lifted my foot off the accelerator. The apparition effortlessly passing me in the night as I split the wind at 130 miles per hour was in the form of a black conventional-cab Peterbilt diesel truck with chrome everything. It was pulling a flatbed trailer, empty except for a stack of neatly folded and securely tied tarps. Brilliant flames of orange and yellow, contrasting brightly against an ebony night sky, trailed off the tips of chrome stacks scant inches before bending sharply back into the wind and extending for what looked to be 10 feet or more over the trailer. As the rig sailed around me, the running lights blinked a couple of times, as if to say, “See ya’ round,” before flames and tail lights started to fade into the darkness ahead.

I would have told you back then that the popular old saying about “running flames” was just a truck driver’s coffee shop tale—that is until that night. But, I will tell you now with certainty that good sense, common or not, is something we don’t appreciate—that is until after we’ve gained it in exchange for the blessing of gray hair.

— Leon Aldridge

“In the corner of the bar there stands a jukebox,
With the best of country music, old and new.
You can hear your five selections for a quarter,
And somebody else’s songs when yours are through.”

“Please, Mr. Please” written by Bruce Welch and John Rostill.
Recorded in 1974 by Olivia Newton John.

“Have you seen these,” daughter Robin’s text asked last week? The subject of her inquiry was a photo of a plain black box the size of a small refrigerator. It was adorned with silver and blue accents sitting in what appeared to be a restaurant. My first thoughts were along the lines of a Star Wars reincarnated 1940s jukebox.

“No,” I responded. “What is it? Sort of reminds me of an old jukebox.”

Recorded music players offering entertainment in public locations debuted in 1890, soon after the arrival of Thomas Edison’s phonograph. Edison is said to have thought his invention was best suited for office dictation, but America’s love for music quickly capitalized on the recording phenomenon. By the early 1930s, personal record machines at home were common, and large wooden boxes with glowing lights, mesmerizing mechanisms and hungry coin slots called jukeboxes were common forms of entertainment in public venues. As World War II was escalating toward Pearl Harbor, jukeboxes made by Wurlitzer, AMI, Rock-Ola and others were everywhere from malt shop hangouts to renowned restaurants, as well seedy joints and brawling barrooms.

“Juke” was derived from their popularity in “jook joints,” a term applied to establishments featuring music, dancing, gambling, and drinking which were typically, shall we say, low-class establishments—also known as “dives.” An association with the growing popularity of swing and rock and roll music with teenagers, not well regarded in society by some parents, didn’t help. Neither did the government’s exposure of Mafia control over the coin operated machine industry at the time.

Every negative factor aside, jukeboxes not only survived, they flourished. Artistic use of plastics, glass, chrome and wood combined with eye-popping designs made them instant classics then and sought after collectibles today. Since the advent of digital music, they have ebbed and flowed in popularity with some new iteration popping up every few years. My daughter’s discovery last week was the newest.

“It’s a ‘new’ jukebox,” She replied, continuing our text conversation. “At my favorite real Mexican food place in Tyler! Takes credit and debit card payment!”

 “Naturally,” I said with a smile. “Cash—it’s just so yesterday.” But, not so with America’s love for music. As one who has loved and appreciated music since childhood, my attraction to jukeboxes many years ago led me to acquire three working examples of 40s and 50s models. While I grew up with them in the 50s and 60s at places like the Dairy Queen, the bus stop cafe, and up the street at the Hillbilly Cafe in Mount Pleasant, Texas, my children grew up in the 80s with them in our home in Center, Texas.

Robin’s favorite, and the pinnacle of my small collection, was a Wurlitzer 1015. Arguably one of the most beautiful jukeboxes to ever cast a soft, amber glow across a well-worn dance floor, the 1015’s arched top with cascades of bubbles down both sides, changing hues of softly illuminated plastic pillars emanating from a furniture-quality wooden box, and 78 r.p.m. records spinning behind a brightly illuminated glass window provided hypnotizing visual entertainment. Tunes like Glenn Miller’s “In the Mood,” Big Joe Turner’s “Shake, Rattle and Roll,” or Hank Williams’ “Your Cheatin’ Heart,” were almost secondary entertainment.

No stranger to a jukebox, one of Robin’s favorite childhood delights was dropping a nickel in the coin slot to watch the elaborate mechanism swing into action selecting the 1958 hit record, “Rockin’ Robin,” by singer Bobby Day,

Thirty years later, the sole survivor of that collection is a 1955 Seeburg offering a selection of 100 songs on 45 r.p.m. records resting in a horizontal tray. Although real wood boxes and bubbling tubes were gone by the mid 50s, the shiny chrome Seeburg box with faux-wood side panels and subdued lighting still spotlights a mechanized record changer to entertain in a fashion that no jukebox since has ever matched.

“That’s interesting,” I told my daughter. “I’ll have to look for one.”

“My favorite Mexican food restaurant, or a digital jukebox,” she teased?

 “Both, I guess,” was my reply.

“If you find yourself in Tyler, you better look for me,” she ordered. “I’ll take you to lunch and play the jukebox.”

“Wonderful,” I told her. “Guess there’s not much chance, though, that new one plays ‘Rockin’ Robin,’” I laughed. “Or that it will tap your plastic card just a quarter for five selections.”

—Leon Aldridge

“Multitasking is over rated.” —Leon Aldridge

Recent discussion with a friend over the practice of doing multiple things simultaneously (a.k.a. multitasking) led me to research the topic, and as expected, expert opinions agree that multitasking is in reality, not possible. The brain can do only one thing efficiently at a time. I already knew that. I conducted my own personal research at home last week.

It was admittedly not scientific research, but none-the-less conclusive. Turn a frozen dinner (TV dinner to my generation) into a gourmet meal for one—“Easy Peasy.” Manage a “look what the cat drug up” escapade—a bit more daunting maybe, but not impossible. Carry on a phone conversation from an old friend—piece of cake. But, throw them all together into one evening, and then let me know how that multitasking stuff works for you.

It started innocently enough with the “prefab” dinner in the oven. The offering of frozen gourmet meals at supermarkets today is nothing short of amazing, especially when compared to the TV dinners in aluminum trays that was half of my college cuisine. That and cheeseburgers.

Things were well underway for dinner. The oven timer was set, a place at the table was prepared with condiments neatly arranged on the table.

This was about the time I was leisurely thumbing through the latest issue of Hot Rod Deluxe magazine while waiting for the oven timer to summon me back to the kitchen. It’s also when the cat appeared at the back door. Now, it’s possible I might have noticed she had something with her had I not been deeply engrossed in the magazine. As it was, she was already through the door bounding for the laundry room when I saw it. It was moving. And, worse—it was a snake.

This is about the best time to interject that I’m one who believes there is only one good kind of snake. Add to that I’ve also long subscribed to the theory that a live snake’s place is not in the house. A lunge toward the snake-toting cat was too little, too late. This was also about the time the phone rang. Should I answer it, or, should I pursue the cat with the snake? And, it seems like I was doing something else when all this started…what was it?

”Hello.”

“Yes, hey I’m fine, how are you?” Do you know how hard it is to concentrate on being cordial when you’re pretty sure there’s a reptile loose in the house. And, what else was it that I was doing?

This was about the time I saw the cat dart out the still open back door. “You better get out,” I hollered. “Oh, no, not you,” I told my friend on the phone. Did she take the snake with her, I wondered? Perhaps the only thing worse than knowing there’s a snake in the house is wondering if there’s a snake in the house.

“Yes,” I continued the conversation while looking all around my feet. It has been a long time, hasn’t it? “Uh-oh, dinner’s ready,” I said aloud. “No,” I told my friend, “We can talk. Hang on for a minute.” I removed dinner from the oven and placed it on the stove top before returning to our conversation. A short time later, we shared good-byes with a vow to not wait another 25 years before talking, ignoring the fact that the long shot at Saturday’s horse race has better odds than another 25 years for us at our age.

This was about the time I decided I should conclude whether or not I was sharing my living quarters with a snake. A search under the dryer and behind the water heater, in the clothes hamper and under the utility room sink cabinet utilizing a flashlight with dying batteries turned up no snake. I shifted my sleuthing efforts to the back porch from which the cat and snake had come, and to where the cat returned. Maybe, just maybe, she carried the thing back outside with her. The same failing flashlight uncovered only the furry feline curled up and sleeping soundly on the porch rocker. Returning to the house, I continued looking on my way to the bedroom, deciding there had been enough action for one night. Still no snake.

Morning came and the critter was still on my mind as l went about preparing for another day at the office. Heading for the kitchen in need of caffeine, I was tiptoeing through the house looking for a snake when I rounded the corner into the kitchen and was startled at the sight of a hot oven and last night’s mealtime offering still sitting on the stove top.

So much for multitasking. Hot dinner was a disaster, I never found the snake, and my phone visit was cut short by crazy events of the evening. This week, I’ve switched to cold sandwiches and the cat doesn’t come inside without a full TSA shake down.

Oh, and the online research? It also concluded that multitasking has been decisively proven to be an ineffective way to work citing repeated evidence that performance suffers when people multitask.

Again, who needs scientific research. It’s just as over rated as multitasking.

— Leon Aldridge

“We made too many wrong mistakes.”—Yogi Berra

Writing can be an immensely rewarding endeavor one day and the most humbling of exercises the next—all but for one simple letter, or misused word.

Typo, the nemesis of every writer, can crush a masterpiece and render it a disaster quicker than you can say, “Proofreaders, untie against typos.”

There may be only 26 letters in the alphabet, but a mistake with just one within the 228,132 current words, obsolete words, and derivative words that the Second Edition of the 20-volume Oxford English Dictionary says we have at our literary disposal, will rain on even the best creative writer’s parade.

Whatever the odds, it has happened to every writer, and it happened to me last week in my day job as marketing director for Advanced Ecology. I was on a roll with our newly launched weekly e-card for sister company Bird & Crawford Forestry. Crowds were cheering, bands were playing, streamers were flying—it was deemed a success. Then in the flash of a keystroke, less than two minutes after the latest edition was released into cyberspace, someone pointed out a glaring typo. What should have read, “…long-range…” unfortunately read, “…long-ramge…”

While a typo is typically not a terminal illness, it can make any writer sick to his or her stomach. The frustration factor in this one ran higher than normal because the misspelled word was caught in the first draft and corrected, only to agonizingly reappear in a later revision.

The advent of spell check helped wordsmiths a great deal, but it’s not fool proof. Typos in any case are usually traced to lack of attention, rushing to finish, or both. I have to admit both played a role in mine.

If there can be a positive side to publishing a typo, mine was not the kind that can make a writer want to wear a disguise before going out in public—the kind that used to serve as fodder for Jay Leno’s feature, “Headlines,” on the Tonight Show. About the time Leno was born, The (Naples, Texas) Monitor publisher Lee Narramore was already collecting them. His tradition has been continued by Monitor publisher since 1968, Morris Craig, and supplemented with a few of mine in the last 30 years or so.

The following samples date back a couple of decades and more. We’ve applied some computer magic to protect the innocent and the guilty as the statute of limitations (or laughs) may not have expired. Under admissions and disclaimers, some of these were published in newspapers on my watch, and none were borrowed from social media. They were collected “pre-social media,” and I have the clippings.

Headlines can be the worst. In 30-point type, it’s like saying, “Let’s not just make a mistake, let’s shout it out in huge type.”

Like the East Texas newspaper headline on a story reporting that a Catholic School would be leasing a local building. Sure, the story explained it all, but after reading the headline, the reader’s mind has already gone down the road of thinking there’s a well-known and powerful new tenant in town.

No explanation needed in the central Texas newspaper headline utilizing a similar sounding, but unfortunately, incorrect verb.

Then there are those headlines that just should never have made it to press, like the coastal Texas newspaper headline that used an incorrect abbreviation. So many questions begging to be asked. I don’t know, maybe it resulted in a few more cookbook sales.

Sometimes, a headline can be perfect, but placed on the page in such a manner as to suggest something entirely different than was intended. Like the photo in an East Texas weekly some years ago of four people standing waste deep in water, obviously prepared for a baptism service—which is what the headline and story below the picture reported. Unfortunately, the story and headline positioned right above the photo reported on an altogether different event that coincidentally, involved the same number of people pictured.

Other times, just the combination of words in a perfectly good headline that is well written and factually accurate  can still cause the reader to  think, “I’m not sure I would have stated it exactly like that.”

It’s a fact that there is a Butt Street in the East Texas city where the newspaper was published. And it’s a fact that police officers raided a crack house on that street. But, I just don’t think I would have pieced all of that together in the same headline … at the top of the front page.

Typos and other things that make you wonder “why” can also sneak into an ad.

Technically, there is nothing wrong with advocating, “Knock ‘em Dead Big Red,” on any given Friday night somewhere in Texas. It’s perfectly acceptable football jargon when the gridiron competition warms up on a cool fall night. But, there are just some businesses, for which it might not be totally appropriate ad copy.

Having suffered the anguish of misprint maladies myself, I can testify that no writer is immune. Adding insult to injury, these few samples serve as evidence that once published, some typos will live in infamy for many years. Once the ink is on the newsprint, it’s there for published posterity.

The 60-plus year collection, long years ago dubbed “The Proofreader’s Bible” by Narramore, or Craig, or maybe both, contains more examples than space allows here. Plus, a number of them venture into the realms of political incorrectness and content deserving of a restricted movie rating.

While the dreaded typo can range from mildly humorous to downright hilarious for readers, the typo will forever cause writers to cringe. Therefore, should you find one in this column, laugh all you like, just don’t tell me.

“I find that the harder I work, the more luck I have.” —Thomas Jefferson

“Know where I can buy a used lawn mower,” someone asked a few days ago? “Afraid not,” I said, explaining how I was a couple of years removed from owning or operating a lawn mower. Finally gave up mowing in favor of hiring it done.

There was a time when I enjoyed the pride of a well groomed yard resulting from my hard work. That time was when it didn’t take as long to recover from the aches and pains such physical labor induces. However, recalling lessons learned while walking behind a lawn mower creates a crop of good memories.

Mowing the family lawn while growing up on Redbud Street in Mount Pleasant, Texas, was part of earning an allowance—a necessity. On occasion, I also mowed my grandparent’s yard just down the road in Pittsburg, Texas. Now, that was fun. Funny how grandparents somehow make the worst tasks seem like fun.

My grandfather’s lawn mower was an old Sears and Roebuck reel-type, self-propelled, power mower, the only one of its kind I recall seeing. The old green mower with big yellow wheels and a wooden roller device trailing them personified my grandfather. Both were outdated—even then, but both were hard working and both were reliable to a fault. One pull of the starter rope and it was running and ready. Flipping a handle mounted lever released the machine to roll slowly around the yard, doing the job it was designed to do. The only work required was walking along behind the mower and keeping it on course.

Mowing the grass at home for an allowance was a chore, one of many on the list. Completion of those chores that earned my mother’s approval also earned me 25 cents a week. Not much money by today’s standards, but not bad for the late 1950s. In reality, both were chores, but somehow having to mow for my allowance was anything but my idea of fun until I figured out that walking behind the lawn mower for mom meant money in my pocket.

Soon after making that connection between working and wages, I determined that the shortest route to a raise from my quarter a week income was a summer job. So, where did I go to increase my standard of living over the two-bit allowance? Mowing yards. For at least a couple of summers after that, keeping lawns around south-side Mount Pleasant neighborhoods neatly manicured—converting green grass to green in my pockets, also converted my pocket money from the rattling kind to the folding kind.

Thinking about mowers also caused me to contemplate how many of the devices I’ve owned over the years. Although, I failed to arrive at an exact number, two recollections stuck with me.

One: in my fifty-something years of mower ownership, I owned only two riding mowers and didn’t keep either one very long. Walking behind a lawn mower was, in some unexplained way, a great time to solve the world’s problems.

Two: buying my first lawn mower. Not quite up there with my first car or my first date, but a vivid memory no less, coinciding with the purchase of my first house. It was bright yellow and performed a splendid job grooming the thick carpet of San Augustine grass surrounding my first home on Dogwood Street in Mount Pleasant. That experience miraculously turned what had been a chore into a genuine source of pride. As I admired the sight and the enjoyed the smell of newly mowed grass, I knew then what my mom was striving for when she chided me to keep the yard looking nice. It wasn’t punishment, it was pride.

I also understand the lawn mowing lesson my dad tried to instill in me long before I had mowed enough lawns to understand. “Dad,” I once asked him, “Why do parents punish their kids by making them mow the grass all the time?”

“It’s not punishment, son,” he told me. “It’s to teach the value of working to earn money. It’s about taking pride in what you do, being proud of how nice the yard looks.”

“I’d be more proud if you mowed it,” I suggested.

“You’ll understand some day,” he said. “In the meantime, let me see if I can make this lesson a little easier to understand for today. Remember that working hard to make the yard look nice will result in your mother proudly paying your allowance.”